Peter Shire: Funnel of Love

October 6th - October 24th, 2018


Nina Johnson Gallery is pleased to present Funnel of Love, an exhibition of new and vintage works by legendary artist, potter, and designer Peter Shire. With a rambunctious, irreverent group of objects, Funnel of Love showcases Shire’s unique position in the worlds of art and design—a role of historic importance, and constant exploration. The exhibition will open with a public reception on October 6th from 7pm to 9pm and remain on view until October 24th.


A founding member of the iconic Memphis Group, Shire is acclaimed for his playful approach to the language of design inverts accepted orthodoxies—punning, as it were, on the expected. By miss-matching high and low, he has created a boisterous, title-case vernacular that pulls from American five-and-dime kitsch, European and Post-war Modernism, and the refined techniques of hand-crafted artisanship. Shire’s oeuvre, like each object in Funnel of Love, is much more than the sum of its parts. 


The “funnels of love” in question are teapots, one of the most loaded vessels in history. Enduring symbols of hospitality and generosity, they have served as stand-ins for the human form—the breast, the phallus. They are also one of the most difficult ceramic objects to make. Shire’s—exuberant unions of disparate forms—are entirely functional, playfully pushing applied design to the aesthetic brink. Elsewhere in the gallery, a selection of chairs respond to a vintage Ettore Sottsass design that had handles on the edges of the seat back. Shire’s, with tassels and opalescent gradient paint, riff on Sottsass’s spirit of utility.


The show also includes a selection of Shire’s iconic cups—both his pinch pots, and those that feature large triangular handles shot through with circular finger holes. The fingerprinted and elemental shapes of these objects are complemented with glazes that refer to post war paintings: the freewheeling splatters and drips of Sam Francis and Jackson Pollock, as well as minimalist grids and stripes. Displayed on a shelving unit which references Japanese sushi restaurants, these objects playfully skewer the economics of the art and design worlds—systems of demand and scarcity in part based on snobbery. Shire’s work has always been about democratic accessibility.


With Art History from Bauhaus to the Renaissance at play, the work also vibes off the aesthetics of consumerist populism. Call it what you will: kitsch, camp, or simply bad taste: Shire rejoices in that which finer temperaments malign as too much or not enough. There is beauty in the overflow, his work suggests, power in the bargain bin. Shire’s work responds to Baby Boomer America much like how the Impressionists responded to the newly formed Middle Class, which had begun to coalesce in the years after the Industrial Revolution. It humanizes the systems of production, foregrounds experience and pleasure in the face of industry. It teaches us how to live well.

Funnel of Love comes during a resurgence of interest in the iconoclastic Memphis Group. But perhaps resurgence isn’t the right word. It’s more that the world is finally catching up.


About Peter Shire

Peter Shire is an LA-based artist whose work eludes all attempts at categorization. He has created ceramics, furniture, toys, interior designs, and public sculptures, that seem to at once reference and parody influences such as Bauhaus, Futurism, Art Nouveau and Art Deco. This subversive humor and playfulness extend throughout his work and made him a natural fit for
the controversial and iconic Milan-based Memphis design group, of which he was a founding member. 

A graduate of the famous Chouinard Art Institute in Los Angeles, Peter Shire has an impressive exhibition record. In addition to many group shows, his works have been exhibited in numerous solo shows, in his hometown, Los Angeles, nationally and internationally in Milan, Paris, Tokyo and Sapporo. Shire’s works are in many public collections and museums in the U.S. and abroad.


About Nina Johnson

Nina Johnson is a contemporary art space in Miami, Florida. Since 2007, the gallery has produced exhibitions by emerging and established artists from around the world. The gallery works alongside artists to produce ambitious projects both within the confines of the gallery space and beyond.

  • Funnel of Love With Striped Socks, 2018, Whiteware with cone 06 underglazes and cone 06 clear glaze, Stainless Steel Modified Funnel, 22 in x 6 in x 12 in
  • Funnel of Love, Installation View
  • Brick-O-Lage 2, 2018, Whiteware with cone 06 underglazes and cone 06 clear glazes, Stainless Steel Lid with Ceramic Ball, 12 1/2 in x 5 in x 12 in
  • Corrugated Spirit, 2018, Steel, two-part polyurethane
  • A Pinch Of Ecstasy, 2018, Whiteware with cone 06 underglazes and cone 06 clear glazes, Fir plywood shelving, 19 in x 28 in x 5 in
  • Compact Bel-Air Maquette Deconstructed 1, 2018, Aluminum, Stainless Steel, Screws, Paint 8 1/4 in x 8 in x 5 1/4 in
  • Larger Ecstasy 2, 2015, Whiteware with cone 06 underglazes and cone 06 clear glazes, 9 in x 13 in x 21 in
  • Spirit Cone, 2018, Steel, two-part polyurethane, 58 3/8 in x 12 1/4 in x 21 3/8 in
  • Rocket, 1986/87, Birch Solid Core Plywood and Abet Laminati, Metal with Paint, 58 in x 18 in x 10 in
  • Samper Silk Screen 2, 2018, Steel, two-part polyurethane, tassels, ribbons, pom- poms, hot glass handmade evil eyes, 68 1?2 in x 24 in x 27 1?2 in
  • Funnel of Love, Installation View