NinaJohnson

Savannah Knoop, Kahlil Robert Irving: Running Stitches

April 4th - May 18th, 2024
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

Nina Johnson is pleased to present Running Stitches, a joint exhibition of sculptural works by Savannah Knoop and Kahlil Robert Irving. Opening April 4th, 2024 in the Front Gallery, this exhibition places the artists’ channels of art work in conversation with each other to elicit a new kind of relationship to space and time—exploring materiality, sensory detail, labor, and a reconsideration of seemingly factual information and familiar forms.

  • Savannah Knoop, Vertical Garden, 2024, Newspaper, aqua-resin, pigment, steel, 70 x 28 x 34 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

Born in San Diego, California, and living and working in Saint Louis, Missouri, Kahlil Robert Irving is known for his assemblages of layered image and sculpture, challenging ideas of identity and culture in the Western World. In Running Stitches, he presents works from his “Street Views” series: interrogating the ground as a metaphorical space consisting of signs and symbols, and presenting the possibility of an alternative landscape.

  • Kahlil Irving, Concrete Nodes and Moonchunks | Street stars and fragments (Mixedvessel), 2022, Glazed and unglazed ceramic, gold, opalescent luster, silver luster colored enamel, wood, 48.5 x 21 x 21 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

Born in San Francisco, and living and working in New York City, Savannah Knoop is an artist and writer. At Nina Johnson, Knoop presents works from their “Free Weaving The News” series, employing traditional and invented weaving techniques to wrestle with a year of daily newspapers. The process contorts columns of legible type and image into knots of concentrated noise, embodiments, and improvisations rendering the possibility of a different kind of experience of current events.

  • Detail of Savannah Knoop, Mirror Flag, 2023, Newspaper, aqua-resin, pigment, imitation silver leaf, steel, fiberglass, 74 x 96 x 8 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

In dialogue, Irving and Knoop span material and media differences to transform and distort ostensibly legible images and ideas. Irving’s ceramic tiles, hovering on the ground plane, reinterpret both asphalt sidewalks and the night sky, while Knoop’s free-weavings aggregate data on the wall. Each artist’s body of work creates a sense that the sculptures are reaching for each other, interacting within a liminal space full of strange potential. The labor of craft is made visible in the sculptures’ physical forms: Irving’s works allude to industrialization and public space, and Knoop’s works parallels the craft of weaving, turning inside-out its gendered and domestic associations. These recognizable forms of labor are de-familiarized and complicated with complex sensorial detail, inviting the viewer to take a closer look.

  • Savannah Knoop, Major Arcana, 2023, Newspaper, aqua-resin, pigment, imitation silver leaf, fiberglass, 96 x 38 x 38 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

Of note in the exhibition is Dreams in the line and Memories (Whipped) (Irving, 2023), a large work comprising of 78 mostly unglazed tiles large glazed and unglazed ceramic on a wooden platform, which material form emphasizes the interests of the artist, while also displaying a complicated representation of an imagined world where hip hop, history, and the stars collide in one object.

  • Detail of Kahlil Irving, Dreams in the line and memories (/whipped), 2023, Glazed and unglazed ceramic with decals and luster + wooden platform, 7 x 100 x 55 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

In communication, Mirror Flag (Knoop, 2023) , a spare and vast woven rectangle depicts an abstracted shredded US flag as though reflected in a mirror. Stretcher Railing (Knoop, 2023) uses a steel armature framing system to allow the work to be viewed upside-down, rotated 90 degrees, or flipped front to back, a “viewer’s-choice” choreography that is both thrifty and full of potential, asking the viewer to activate the “facts” from different vantage points. The piece’s title references the British memorial of fence railings converted into stretchers during World War II, and then placed back into their original function as fences.

“The show speaks to a kind of making,” said Savannah Knoop. “An augmented materialism that takes the information that is literally under our feet or right in front of our faces and transforms it both visually and structurally so that within these familiar forms new ideas and questions appear.”

Running Stitches is on view through May 18th, 2024.

  • Savannah Knoop, Stretcher Railing, 2024, Newspaper, aqua-resin, pigment, imitation silver leaf, steel, 70 x 31 x 10 in.
  • Savannah Knoop & Kahlil Robert Irving: Running Stitches, Installation View. Photography by Jacob Holler/Clare Gatto.

About Savannah Knoop

Savannah Knoop is a NYC-based multi-disciplinary artist, and writer. They received their BA at CUNY under the mentorship of Vito Acconci, and their MFA at Virginia Commonwealth University in Sculpture+Extended Media. They have exhibited and performed at the Whitney Museum, MoMA, the ICA Philadelphia, the Leslie Lohman Museum, David Winton Bell Gallery at Brown University, Nina Johnson Gallery in Miami, and Nicelle Beauchene in New York. In 2001, Savannah Knoop founded the clothing line Tinc, which ran until 2009. From 2009-2016 Knoop co-hosted the monthly queer audio-visual party WOAHMONE. In 2007, they published their memoir Girl Boy Girl: How I Became JT LeRoy (Seven Stories Press) and adapted it into a screenplay, co-producing the resulting feature-length film JT Leroy(Universal Pictures, 2019) directed by Justin Kelly, and starring Kristen Stewart as Knoop. Alongside Brontez Purnell, Knoop is working to adapt his novel, Since I Laid My Burden Down, into a feature film of the same title. Knoop has written essays for the LA Review of Books, 032C, Dazed, Critical Correspondence, and Cultured Magazine.

About Kahlil Robert Irving

Kahlil Robert Irving is an artist born in San Diego, California, in 1992, currently living and working in the USA. He attended the Sam Fox School of Design and Visual Art, Washington University, in St. Louis (MFA Fellow, 2017) and the Kansas City Art Institute (BFA, Art History and Ceramics, 2015). In February 2024 Irving opened Archeology of the Present at the Kemper Art Museum in Saint Louis. Concurrently, AnticKS & MOdels + My theater to your eyes at the Nerman Museum of Contemporary Art. Irving recently participated in I’ll Be Your Mirror: Art and the Digital Screen at the Modern Art Museum in Fort Worth. He has also participated in the Singapore Biennale, Singapore; Soft Water Hard Stone; The New Museum Triennial; and Making Knowing at the Whitney Museum of Art. Works by Irving have been included in group exhibitions at the Abrons Art Center, New York; The Anderson Collection at Stanford University, San Francisco; and Mass MOCA, North Adams. He was an Artist in Residence at Art Omi in summer 2018. Also, he was awarded the Louis Comfort Tiffany Foundation Biennial Award in 2019 and the Joan Mitchell Foundation Grant in 2020. Irving’s work is in the collections of the Ken Ferguson Teaching Collection at the Kansas City Art Institute, Kansas City, Missouri; J.P Morgan Chase Art Collection, New York, New York; the Nerman Museum of Contemporary Art, Overland Park, Kansas; the Carnegie Museum of Art, Pittsburgh, Pennsylvania; the RISD Museum, Providence, Rhode Island; the Riga Porcelain Museum, Latvia; the Foundation for Contemporary Ceramic Art, Kecskemet, Hungary; and the Whitney Museum of American Art, New York. He has presented solo exhibitions at Wesleyan University’s Center for the Arts, Connecticut (2018), the Museum of Modern Art, New York (2021) and the Walker Art Center (2023).