NinaJohnson

Germane Barnes: Unsettled

September 29th - November 19th, 2022
  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo

Nina Johnson is pleased to present Unsettled, an exhibition of never-before-seen works by architect and designer Germane Barnes. On view from September 29 – November 19, 2022, the show features ten works that explore the theme of migration, specifically methods and materials of migration from the African Continent. The majority of the work in the show was made while Barnes was on residency at the American Academy of Rome.

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes, Cape Town, 2022 (Detail)
  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo

Barnes’ award-winning research and design practice examines the connection between architecture and identity, exploring architecture’s social and political agency through historical research and design innovation. Through this work, Barnes investigates how built environments influence Black domesticity. The artist’s practice is heavily informed by his personal history in addition to global history, and is driven by the goal of using architecture as a means of telling stories that otherwise go unheard.

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes, Lost at Sea, 2022, Timeline, digital drawing on unique Roman, recycled paper, cut and tiled through analog processes, 39 x 36.5 x 1.5 in. (Framed)

In Unsettled, artworks include two woven tapestries, three pieces of furniture of varying materials that reference migration, and five two-dimensional pieces. The exhibition is divided into two sections –– half of the works are United States-focused and the other half are globally centered.

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes, Los Angeles, 2022
  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo

The featured tapestries are literal maps that highlight redlining and segregation. Barnes has produced the tapestries using a classical weaving technique, rendered in New Zealand wool and fine Egyptian cotton.

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes, Identity, 2022 (Detail)
  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo

The collage is a timeline of African processes taken abroad. The map, done on Roman paper only available in Rome that has been transported back to the United States, also highlights these themes of migration. The stool is also a nod to migration and is an amalgamation of three materials close to Barnes’ personal history –– steel (an homage to Chicago Skyscrapers), concrete (an homage to Miami Brutalism), and resin (an homage to the artist’s time living abroad).

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes, Miami, 2022, Aubusson tapestry in New Zealand wool, 48 x 48.5 in.

This exhibition, while exploring migration from an African perspective, also tells the story of Barnes’ personal journey of movement from Chicago, to Cape Town, to Los Angeles, and now to Miami. Unsettled is Barnes’ interpretation of Black migration within the continental United States and abroad, and works to blur the lines between design and architecture.

  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo

This exhibition, while exploring migration from an African perspective, also tells the story of Barnes’ personal journey of movement from Chicago, to Cape Town, to Los Angeles, and now to Miami. Unsettled is Barnes’ interpretation of Black migration within the continental United States and abroad, and works to blur the lines between design and architecture.

  • Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo
  • Germane Barnes, Unsettled, Nina Johnson, Rome, Sculpture
    Germane Barnes: Unsettled, Installation View. Photography by Greg Carideo
Germane Barnes

Germane Barnes’ award winning research and design practice investigates the connection between architecture and identity, examining architecture’s social and political agency through historical research and design speculation. Mining architecture’s social and political agency, he examines how the built environment influences black domesticity. Born in Chicago, IL, Germane Barnes received a Bachelor’s of Science in Architecture from the University of Illinois at Urbana-Champaign and a Master of Architecture from Woodbury University where he was awarded the Thesis Prize for his project Symbiotic Territories: Architectural Investigations of Race, Identity, and Community. Currently he is an Associate Professor and the Director of The Graduate Architecture Program at the University of Miami School of Architecture. His work has been featured in international institutions most notably, The Museum of Modern Art NY, San Francisco MoMA, LACMA, Chicago Architecture Biennial, MAS Context, The Graham Foundation, The New York Times, Architect Magazine, DesignMIAMI/ Art Basel, Metropolis Magazine, Domus, Wallpaper* Magazine and The National Museum of African American History where he was identified as one of the future designers on the rise. Barnes is a recipient of the 2021 Rome Prize for Architecture and is one of the participants of the Venice Architecture Biennale 2023, The Laboratory of the Future.